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	<title>Pelski: Music News &#38; Reviews &#187; hip hop</title>
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		<title>Damiano von Erckert &amp; Tito Wun – Mr Pink, What Have You Been Smoking?</title>
		<link>http://pelski.co.uk/damiano-von-erckert-and-tito-wun-mr-pink-what-have-you-been-smoking/</link>
		<comments>http://pelski.co.uk/damiano-von-erckert-and-tito-wun-mr-pink-what-have-you-been-smoking/#comments</comments>
		<pubDate>Mon, 11 Mar 2013 12:30:45 +0000</pubDate>
		<dc:creator>Pelski</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Funk]]></category>
		<category><![CDATA[hip hop]]></category>
		<category><![CDATA[Soul]]></category>

		<guid isPermaLink="false">http://pelski.co.uk/?p=2486</guid>
		<description><![CDATA[<p><span class="rating"><span>&#9733;</span><span>&#9733;</span><span>&#9733;</span><span>&#9733;</span><span>&#9733;</span></span><a href="http://pelski.co.uk/wp-content/uploads/2013/03/mr-pink-main.jpg"></a></p>
<p>The playful album title of <i>Mr Pink, What Have You Been Smoking?</i> (a reference to Quentin Tarantino’s Reservoir Dogs) is a sign of things to come on a record that positively beams with vintage soul. &#8230;</p>]]></description>
				<content:encoded><![CDATA[<p><span class="rating"><span>&#9733;</span><span>&#9733;</span><span>&#9733;</span><span>&#9733;</span><span>&#9733;</span></span><a href="http://pelski.co.uk/wp-content/uploads/2013/03/mr-pink-main.jpg"><img class=" wp-image-2487 alignright" alt="mr pink main" src="http://pelski.co.uk/wp-content/uploads/2013/03/mr-pink-main-300x300.jpg" width="192" height="192" /></a></p>
<p>The playful album title of <i>Mr Pink, What Have You Been Smoking?</i> (a reference to Quentin Tarantino’s Reservoir Dogs) is a sign of things to come on a record that positively beams with vintage soul. And here ‘vintage’ is unquestionably a better descriptor than ‘retro&#8217;, the latter implying a certain trendiness; this is fun for fun’s sake, a glorious foray into wiggling house and dusty hip hop.</p>
<p>Following up the successful <i>I Think We Agree The Past Is Over</i>, Cologne’s ava. label boss Damiano von Erckert teams up with Tito Wun to deliver five irresistible tracks each: von Erckert, some rusty 4&#215;4; and Tito Wun, gleeful boom bap.</p>
<p>‘Leave uuu’ sets the tone with a sensuous vocal jam, before von Erckert gets straight to business on the Karen Young-sampling house bomb ‘The dude loop’, an exalted slice of filtered, horn-led house. Slipped between the jubilant jams are apt 40-second interludes, all bongo rhythms and soul snippets from Tito Wun (a seasoned German hip hop and edits specialist), tying together what could otherwise come off as a disparate sort of mixtape.</p>
<p>The album’s numerous highpoints come from the friskier Tito Wun cuts, unabashed in their use of catchy samples – see the grizzled swing of ‘The way you do it’ or the sexy funk of ‘Reel ting’. Elsewhere, von Erkhert offsets the rapturous moments with a couple of shuffling percussive numbers, each limber enough in arrangement to fit with the record’s breezy mindset.</p>
<p>The only complaint, perhaps, would be the LP’s meagre 30 minute running time. But in the end it all adds to the youthful, unpretentious charm that courses through <i>Mr Pink</i> and, of course, the burning desire to give it just one more spin.</p>
<p><strong>ava. | Released: January</strong></p>
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<p>01. Damiano von Erckert &#8211; Leave uuu<br />
02. Damiano von Erckert &#8211; The Dude Loop<br />
03. Tito Wun &#8211; Apesier (Interlude)<br />
04. Tito Wun &#8211; The Way U Do It<br />
05. Tito Wun &#8211; Stapelskirt<br />
06. Damiano von Erckert &#8211; Hercules in NYC<br />
07. Tito Wun &#8211; Reel Ting<br />
08. Tito Wun &#8211; Cruzkit (Interlude)<br />
09. Damiano von Erckert -Crackle Shinin&#8217;<br />
10. Damiano von Erckert &#8211; Good Love For YOU</p>
]]></content:encoded>
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		<title>Eddie C – Country City Country</title>
		<link>http://pelski.co.uk/eddie-c-country-city-country/</link>
		<comments>http://pelski.co.uk/eddie-c-country-city-country/#comments</comments>
		<pubDate>Wed, 06 Mar 2013 15:01:37 +0000</pubDate>
		<dc:creator>Pelski</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[deep house]]></category>
		<category><![CDATA[downbeat]]></category>
		<category><![CDATA[hip hop]]></category>

		<guid isPermaLink="false">http://pelski.co.uk/?p=2240</guid>
		<description><![CDATA[<p><a href="http://pelski.co.uk/wp-content/uploads/2013/03/Country-main.jpg"></a></p>
<p><span class="rating"><span>&#9733;</span><span>&#9733;</span><span>&#9733;</span><span>&#9733;</span></span></p>
<p>Eddie C’s 2011 album <i>Parts Unknown</i> displayed his fondness for eclectic crate-digging and a flair for manipulating obscure, determinedly warm samples. The Canadian’s follow-up LP, released on both vinyl and CD, is lighter on the hook-laden &#8230;</p>]]></description>
				<content:encoded><![CDATA[<p><a href="http://pelski.co.uk/wp-content/uploads/2013/03/Country-main.jpg"><img class=" wp-image-2242 alignright" alt="Country main" src="http://pelski.co.uk/wp-content/uploads/2013/03/Country-main.jpg" width="253" height="253" /></a></p>
<p><span class="rating"><span>&#9733;</span><span>&#9733;</span><span>&#9733;</span><span>&#9733;</span></span></p>
<p>Eddie C’s 2011 album <i>Parts Unknown</i> displayed his fondness for eclectic crate-digging and a flair for manipulating obscure, determinedly warm samples. The Canadian’s follow-up LP, released on both vinyl and CD, is lighter on the hook-laden samples and yet it is even broader in its scope, taking in all manner of downbeat sounds, be it instrumental hip hop, reggae, cosmic disco or jazzy house.</p>
<p>Apart from the dreamlike synth work on ‘Drinkin &amp; Thinkin’ (its rewound effects similar to Theo Parrish’s ‘The Rink’), the cutesy disco sensibility of <i>Parts Unknown</i> is replaced with a new sort of charm mined from a surfeit of unexpected influences. The sheer diversity of the record is reflected in its array of tempos: things start with a dubbed-out reggae vibe on ‘To Each Their Own’, albeit serving as an album intro rather than a sign of things to come; whilst jaunty Brazilian keyboards make an appearance towards the end.</p>
<p><i>Country City Country</i>’s only real constant is a low-end groove, each track weighted with the plod and rumble of rusty bass, rooted in the DJ’s love for twinkling instrumental hip-hop (most apparent on the languid roll of ‘Stoney Pharmacy’ or the blissful boom bap of ‘Fool On The Hill’).</p>
<p>Two of the highlights ‘Every Life Under The Invisible Hands’ and ‘Jam On Dallas Road’ come from Eddie C’s teaming with Mike Roma (a previously unknown producer from little-known rock band The Electric Timber Co); a peculiar pair of boogie-house tracks imbued with a gentle, soft-rock guitar strut.</p>
<p>By Eddie C’s own admission, this is not a record assembled with the dancefloor in mind, and it is true <em>Country City Country</em> is best suited to easy listening. And yet there are moments that are bound to titillate dancefloors: such as the groovey ‘Every Life Under The Invisible Hands’; the jittery 808 drums and bass stomp of ‘Erase’; or the driving house workout of ‘(Be Aware) Nothing For Free’.</p>
<p>This is by no mean the sort of album that will knock you off your socks on the first listen, but repeat listens will reveal a lovingly put together record, filled to the brim with dusty and diverse funk gems.</p>
<p><em>By Duncan Pelham</em></p>
<p><strong>Endless Flight | Released: February</strong></p>
<p>01. Got I Own Thing<br />
02. Stoney Pharmacy<br />
03. Fool On The Hill<br />
04. Motsa<br />
05. Drinkin and Thinkin<br />
06. Jam On Dallas Road feat Mike Roma<br />
07. Erase<br />
08. Every Life Under The Invisible Hands feat Mike Roma<br />
09. Black Meat Dance<br />
10. Always<br />
11. Eisbergen<br />
12. Surprise Pass<br />
13. It Goes Free<br />
14. La Palette<br />
15. (Be Aware) Nothing For Free<br />
16. Let&#8217;s Stay Together</p>
]]></content:encoded>
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