Pelski

Jackmode and Pelski present… The Martin Brothers and more on 23rd April

Jackmode and Pelski are returning to Counter Culture under London Bridge once again to bring some very special guests on Saturday 23rd April. We’re very excited to announce that Justin and Christian Martin – two accomplished and prolific producers in …

[insert bear pun here]

With only two releases under their belt, The 2 Bears have garnered quite a following. It probably helps that one of them is Joe Goddard (of Hot Chip fame). The duo run a popular music blog that, at first, seemed …

The Wicked Bass label

"You could have had it all…"

 NYC’s Cousin Cole has put together a stuttering, percussive remix of Adele. It has all the ratatat rhythmic swagger of a UK funky production, but a little more stripped to give the centerpiece – those stunning, yearning vocals – room …

Hail to the King

Now then, this boy really has been a long time coming. Having heard his music a few years ago, and had the pleasure of meeting him myself, I can say with absolute confidence that I am releasing a gem onto …

Timmy P March 2011 Mix-Tape: The Road To Gottwood Festival

Fast becoming a regular feature here at the Pelski towers, Timmy P delivers another…

So Many Peaks

Matanza – Why No

Colonizing the low end region of your hand drum, our favourite southerly house heads Matanza, are once again blowing the voodoo logistics straight down the pan-pipes. They’ve already started a steady stream of hype across …

Lessons on how to be a scenester #2: overly-dramatic EQing

When EQing on your mixer, be sure to tweak the knobs with all the aggression whith which you might give Hitler a nipple cripple. It must look dramatic at all costs, like your actually doing something whilst DJing (besides counting …

Lessons on how to be a scenester # 1

If you don’t like Nicolas Jaar then you’re not cool. I’m afriad that’s how it is these days. So get with it and at least pretend to like him:

Nicolas Jaar – Keep Me There

When Saints go Machine (Nicolas …

The Baker Man and The Noodle man

Lykke Li’s impossibly uplifting pop number has been given a magnificent remix. It’s a brash, uninhibited rework, unafraid to throw in big cartoonish piano keys, ecstatic hand claps and a chunky-as-anything analogue synth. It’s shamelessly hands-in-the-air fodder, and all the …

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