Crackin’ house

By now I’m sure you’re all aware that DJ Zinc’s ditched d’n'b for his new ‘crack house’ sound.

Well, Zinc’s ‘Bingo Beats’ just sent over his highly anticipated 10 track EP for review and has granted a couple of low bit-rate downloads too.
Now, I’ve never really been a fan of drum ‘n bass, but Zinc’s was of the junglist, low-slung, dusty beats variety. And ‘Super Sharp Shooter’ remains a classic to this day, with its piping bassline and gentle rattling of d’n'b beats.
The Crack House EP is a showcase of Zinc’s new 4X4 sound – a refreshing blend that fuses elements of house, jungle, grime, breaks, dubstep and electro without ever coming off as gimmicky or over-ambitious. He draws on the current sounds of Sinden and Switch (Zinc says house always bored him until the bloggy, fidget bunch came along). What with all the different influences, you would have thought the EP would lapse into a messy meld of convoluted, maximal sillyness. It doesn’t.
Junglist drums, it turns out, go rather well with bass-orientated house (discovered by Zinc when in Japan he played a strange set of two halves – 4X4 sounds and d’n'b). Airy hoover bass, plenty of wobble and generous servings of crashing, fervent percussion percolate this EP, its clearly directed squarely at the dancefloor. The EP contains a couple of tasty guest appearances from Benga, Sweetie Irie, Angela Hunte and No Lay. I highly recommends you pick up this EP – all ten tracks are worth your money – from Beatport or Itunes.
Zinc’s come up with a winning formula by combining the clamorous energy of jump-up with the pumping beats of house. Here’s a couple of tasters from the EP – reduced in quality to encourage you to buy the whole release:

Blunt Edge has recently received attention from the likes of Annie Mac, Brodinski and Fake Blood. Lazy synths and a drowsy melody plod alongside an old-school house vibe. This grows with every listen:
Zinc – Blunt Edge [pelski highly recommends]
Nu Sound wields a deep, growling bassline, whilst tribal congas gently tap over the top:
Zinc – Nu Sound [pelski highly recommends]
You may remember Zinc’s seminal 1999 ’138 trek’, with its pioneering 2-step garage beats, it was later followed by a d’n'b rework ’178 trek’. Zinc’s now pulled the BPM back to his crack house four-to-the-floor tempo in ’128 trek’:
Wobbly bass and rattling drum patterns back female MC No Lay’s (from grime collective Unorthodox Crew) boisterous vocals in Killa Sound:
What with Clipz’s reinvention as Redlight and Beni’s as Jack Beats, I welcome this new influx of d’n'b artists translating their abilities to exciting new strands of house. And I’d also like to take this opportunity, with a cheeky smirk, to say to them: I told you so. House rules.
  • http://www.blogger.com/profile/06109983125098336227 Bastille

    I’m sorry, I don’t see how this is very different and needing to add yet another genre to the already overcrowded list, far too many already to describe a lot of the same sounds.

  • http://bangthedj.blogspot.com/ Bang the Dj

    What’s with the “I told you so” and the constant reminder about how lame you think DnB is.

    Like it or not it was a massively important genre before any Dubstep or Bassline driven house. To the point where you cant be sure the latter would exist as they do without it.

    Zinc hasn’t ‘ditched’ anything, just evolved.

  • http://www.blogger.com/profile/00320901160021649926 Pelski

    Um…’Bang The DJ’ i mention only once that I’m not an avid fan of dnb. In the post I salute Zinc’s old school jungle sounds and i also mention that I love both ‘Super Sharp Shooter’ and ’138 trek’, and that the latter was ahead of its time in terms of 2-step garage – the legacies of which you’ll hear in much of the 2-step dubstep i post on this blog.

    And yes Zinc has ditched dnb, as he categorically said he thought drum n bass was coming more and more to ‘lack originality’. And you;ll notice if you’ve seen any of his sets that he basically plays fidget house – foamo, fake blood and so on. And his new tunes fit into that category of crunky electro-house.

    And I’m afraid jungle’s early manifestations actually came from the house template first, NOT the other way round. Drum’n'bass originally emerged as a brokern-up version of house rave music, with a faster tempo.

  • Anonymous

    pelski good job putting that uneducated hater in his place

  • http://www.blogger.com/profile/12336879918051082102 charlie

    uh oh, another rinsing.

  • http://www.blogger.com/profile/10224266265668836173 The

    Everyone gets tried of drum n bass eventually.

    Literally tired.

    Have you tried dancing to 180 BPM all night?

  • http://www.gethypedonthis.com/ Jack Herror

    yes I did & I fckin love it! :)
    but I do like the new direction he’s going, it takes a lot of courage to ‘ditch d&b’ being one of the biggest d&b djs in the world.
    although I must say his new tunes lack a bit of energy or somethin.. All very laidback stuff. Maybe I should hear it on a bigger system ;)

  • Anonymous

    Thanks for this Pelski, Love it.

  • http://www.blogger.com/profile/03566436667567514758 gez.hatton

    not a fan of the tunes on this one, less high quality than usual (and i don’t mean bitrate!)

    on the plus side, i just got my jackin’ tee and it’s effin sweeeeeet!

    good work pelski :)

  • Anonymous

    links arent working anymore?

  • http://www.blogger.com/profile/16148264135001542867 Tom Meagher

    Love your blog Pelski and Darkly, I’ve been looking for Nu Sound for months since I heard it on Radio 1.

    Cheers!

  • Anonymous

    I am generally of the opinion that a large majority of the people who dislike DnB simply aren’t co-ordinated enough to dance to it. Anyone can nod their head to a 4/4 beat, not everyone get down like an original junglist!

    Proper roots jungle done well is a force to be reckoned with. Having said that I do love house and techno and do listen more often than DnB purely because there is a lot of wank DnB out there.

    Again more genre pigeon-holeing, In my opinion good music is good music whether it is techno, house, breaks, jungle, dubstep.

    Did jungle evolve from house music? Was it the other way around?
    Who cares, I personally think both the sounds co-evolved rather than one originating from the other, If you look into a lot of the early rave music circa 1990, there are actually more breakbeat knocking around than 4/4 beats…

  • http://www.blogger.com/profile/09219757116176713027 Jossa

    Someone get “bang the dj” a towel…love this post, really like the new zinc stuff

  • Anonymous

    God “Killa Sound” is a dancefloor murderer. No Lay is pretty annoying but you can’t fuck with that drop. Need it in 320 tho!!

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